It was inevitable: Disney is making a live action Winnie the Pooh movie because of course Disney would make a live action Winnie the Pooh movie. The studio’s tactic of bringing their animated properties into the live action realm has already paid off with Alice in Wonderland, Maleficent and Cinderella, so why not pay another visit to the Hundred Acre Wood and let a live action Christopher Robin hang out with a CGI Piglet?
Vin Diesel, he of the bulging biceps, shiny scalp and low vocal register, has been making the press rounds for Furious 7 over the past few weeks. Considering just how crazy his new movie is, he sure has a lot to talk about. But even the unlimited number of potential conversation topics to mined from the insanity of the seventh film in the Fast and Furious saga couldn’t stop him from teasing the eighth film in the franchise, which may be set in New York City.
In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
When Paul Walker tragically passed away midway through the production of Furious 7, Universal and director James Wan faced a difficult task. Do they scuttle the film or charge ahead, using rewrites and body doubles to finish Walker’s performance? They ultimately went with the latter option but refused to go into any details. Now, a new report confirms that a digitally recreated Walker appears in the film and that he was brought to life by the same company that made Gollum in The Lord of the Rings and Caesar in Dawn of the Planet of the Apes.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
We all watch the Oscars for different reasons. Some watch for the sheer spectacle. Some watch to see if the movies they like actually win something. Some watch so they can drunkenly criticize what everyone is wearing. But in the end, it all comes down to all viewers doing the exact same thing: watching people thank other people for upwards of three hours. But which people have been thanked the most in 86 years of Oscar history? Someone with a lot of time on their hands decided to figure that out.
In most years, January tends to be the most boring month of the year for the box office. This is where Hollywood typically sends the movies in which it has the least faith. This is the dumping ground, the place where movies go to die so the studios can concentrate on their Oscar campaigns. However, thanks to ‘American Sniper,’ this January has bucked every trend. It may technically be a 2014 release, but Clint Eastwood’s war film has made the first chunk of 2015 interesting, shattering expectations and threatening to become the highest grossing film of last year in only a few weeks.
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