Charles Bramesco

Ryan Gosling is about to play himself. (In the DJ Khaled sense, not the Being John Malkovich sense.) The actor’s been on something of a roll recently, scoring critical plaudits for The Nice Guys and La La Land last year — the latter of which ended up a surprise blockbuster and less-surprise Oscar hoarder — and continuing on into 2017 with this past spring’s Song to Song. He’s got Blade Runner 2049 on the docket for this fall, a likely smash that may earn him admiration among nerd circles, the last niche demographic he has not yet charmed. But with the world at his feet, Gosling’s now making moves to dash all the goodwill he’s recently built up.

Here’s how thoroughly Batman’s influence has permeated the mainstream: he’s claimed tacit ownership of the very notion of shining a light into the sky. The Bat-Signal, introduced in the comics as Gotham City’s method of summoning the Dark Knight, has been endlessly parodied in the annals of pop-culture — just earlier this month, the poster for Captain Underpants paid homage to the iconic (a word I mean here literally, and not in the ‘a photo of the Kardashians’ sense) design of the skyward spotlight. And all too appropriately, the Bat-Signal will now be used to give one former Batman, the dearly departed Adam West, a proper send-off.

Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.

We‘re now a couple days out from the incident itself, and everyone’s still trying to figure out just what in the Sam Hill happened at the Oscars on Sunday night. When Faye Dunaway wrongly named La La Land instead of Moonlight as the recipient of the Best Picture Academy Award, she created a buzzy moment and sparked a full-blown investigation as to how things could have gotten mixed up. Fingers have been pointed every which way, with the show’s producers and vote-tabulating accountants both scrambling to cover their respective hindquarters in the wake of the embarrassing gaffe. Today, however, Dunaway‘s co-presenter Warren Beatty – the man with his hand on the envelope — has offered his official response to the hubbub, and he’s decided to shift blame elsewhere.

Deadline reports today that the 1978 film will soon receive a modern-day remake courtesy of journeyman director Anthony Cohen.

It’s the Friday before Christmas. Those of us who aren’t currently concealing the fact that we’ve slumped over at our desks in a eggnog-hangover-induced nap have glued our eyes to the clock, counting down the minutes to a leisurely holiday break. Everyone just wants to get home, gather with family or other loved ones around a crackling fire, put on the musical stylings of Burl Ives or Bing Crosby, and have a nice mug of hot cocoa. Time slows to a crawl on the Friday before a long weekend, and we both know you’re not getting any work done today, so why not kick back with the soothing sounds of Chewbacca moaning out a classic Christmas standard?

Today marks the first day of December, the month in which movie obsessives must succumb to awards-season fever and meticulously keep track of which nomination went to who, which organization snubbed which movie, and what the difference between AMPAS and HFPA is. As the New York Film Critics’ Circle deliberates on their picks for the year’s slate of awards, the Broadcast Film Critics Association has unveiled their full list of nominees for the Critics’ Choice Awards and kicked the festivities off. The Critics’ Choice Awards has historically held a fraction of the Oscars‘ or Golden Globes‘ prestige, but compensated with a more eclectic lineup of nominated films that adds a most welcome element of surprise. This year’s no different, mixing some unanticipated contenders with the usual heavyweights.

There’s still quite a while to go until the July 15, 2016 release date of Paul Feig’s all-female Ghostbusters reboot, but the fires of fan anticipation must be continually stoked if they’re going to burn strong enough to last through the winter, and the wasteland of pop-cultural apathy that is the month of January...

At long last, the screenings of Star Wars: the Force Awakens have begun to gradually trickle down through the populace. Last night in Los Angeles, the most beautiful and famous among us had the privilege of bearing witness to J.J. Abrams’ go at a seventh installment of the treasured sci-fi franchise...

Q: What is the best part about getting a thing of fast-food french fries? A: Believing you have finished your cheat-day treat, only to discover that there are still a few stragglers with a pulse left in the bottom of the bag. This phenomenon might illuminate a bit of the logic behind the recent proliferation of post- and mid-credits scenes in studio blockbusters, the practice in which a film squir

Reese Witherspoon has begun development on a biopic of Ruth Handler, best known as the creator behind the Barbie doll.

Jared Leto took to Twitter to reassure his 2.14 million fans that he had the situation well in hand. He did so by posting the following image:

Val Kilmer has taken to his personal Facebook page to post a Top Gun 2 status update with ramifications on a scale that we can only describe as tectonic.

Walker’s daughter Meadow filed a lawsuit against Porsche under the banner of “wrongful death,” attributing her father’s untimely death to numerous defects in the car’s design. Industry trade papers are now reporting that officials from Porsche have handed down a response to the lawsuit, claiming that the accident and any injuries sustained therein were ultimately Walker and Rodas’ “own comparative fault.”