With some of the year’s biggest movies only a month or two away, the box office seems to have entered a holding pattern. Some of the new releases are minor hits. Others crash and burn. Right now, Hollywood just seems to be crossing their fingers and hoping for the sweet, sweet summer movie season to come along and save them (or at least the April release of Furious 7). In other words, every new release underperformed this weekend.
When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
We all watch the Oscars for different reasons. Some watch for the sheer spectacle. Some watch to see if the movies they like actually win something. Some watch so they can drunkenly criticize what everyone is wearing. But in the end, it all comes down to all viewers doing the exact same thing: watching people thank other people for upwards of three hours. But which people have been thanked the most in 86 years of Oscar history? Someone with a lot of time on their hands decided to figure that out.
In most years, January tends to be the most boring month of the year for the box office. This is where Hollywood typically sends the movies in which it has the least faith. This is the dumping ground, the place where movies go to die so the studios can concentrate on their Oscar campaigns. However, thanks to ‘American Sniper,’ this January has bucked every trend. It may technically be a 2014 release, but Clint Eastwood’s war film has made the first chunk of 2015 interesting, shattering expectations and threatening to become the highest grossing film of last year in only a few weeks.
Nicolas Cage has made a habit of selecting atrocious film roles for the better part of a decade, so it’s always a pleasant surprise when he finds himself attached to something that actually sounds promising. Fresh off a Razzie nomination for the quick and dirty paycheck gig that was ‘Left Behind,’ Cage is set to lead ‘Army of One,’ a film adaptation of a truly bizarre story about man’s hunt for Osama Bin Laden.
A lot of people are going to act like they didn’t see the enormous success of ‘American Sniper’ coming, but the signs were all there. On top of the promising limited release numbers, there was the awards buzz. On top of that, there were the names of director Clint Eastwood and star Bradley Cooper. On top of that, the subject matter of the film is inherently attractive to the same category of moviegoer that makes Christian-themed films into massive hits. ‘American Sniper’ had one doozy of a weekend, but it’s not that surprising.
Yep, it’s that time of the year again. The 2015 Oscar nominations are here and it’s time for everyone to get outraged and cynical over which movies get the opportunity to take home statuettes of naked golden dudes. Sure, we always tell ourselves that the Academy Awards don’t really matter and that a film’s legacy will live or die for reasons beyond trophies, but we always end up getting angry about these things anyway. However, this year’s biggest snubs seems more egregious than usual and require slightly more yelling and stamping of feet.
After months of rumors and speculation, it looks like director Paul Feig is finally starting to assemble his cast for his ‘Ghostbusters’ reboot. The name at the top of his list should surprise no one: Melissa McCarthy, who he previously directed to an Oscar nomination and huge box office success in ‘Bridesmaids’ and ‘The Heat,' and who is in early talks to star in the film.
After the jam-packed month of December, with its huge family-friendly blockbusters and awards season Oscar bait, we have arrived in the month of January. Formerly a dumping ground for mediocre films, the month has taken on a new identity in the past few years as a testing ground for unique genre films (think ‘Cloverfield’) and a solid place to release a horror movie, which seems to do quite well right around New Year’s for whatever reason. This year, we have ‘The Woman in Black 2: Angel of Death,’ which had a fairly solid opening. Not solid enough to topple the Christmas Week champions, but no one is complaining too much.
Honestly, we could have just copied and pasted last weekend’s box office report and gotten away with it. Outside of the shifting numbers, the order of the top 10 is almost identical to what it was a week ago. This is Hollywood in a holding pattern. The weekend after Thanksgiving is a wasteland. That’s probably why ‘The Pyramid’ was dumped this weekend. However, the lone newcomer in the top 10 didn’t just bomb, it bombed spectacularly.
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